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Friday, January 7, 2011

Everlasting (2010)




Acclaimed Independent Producers David Hillary (Spun) and Timothy Peternel (Buffalo '66) announce their latest feature film - Everlasting with Writer / Director Anthony Stabley attached. Famed Casting Director Shannon Makhanian (Wrist Cutters, Brothers Bloom) will also Co-Produce.

Tuesday, December 28, 2010

'Minimal' con voluntad de masas

Richie Hawtin, superestrella del 'techno', cuenta la historia de la electrónica con una gira mundial de su álter ego Plastikman y la ambiciosa reedición de su obra.




http://www.elpais.com/articulo/Tendencias/Minimal/voluntad/masas/elpepitdc/20101221elpepitdc_1/Tes

La vida y como es.....

No es amor oculto lo que se siente cuando uno ve lo que no ve.....
No es amor demente cuando uno sabe como se vive....

Es solo el amor que se siente cuando uno desea y necesita
asi es la vida, asi es la amistad
turbado, ofendido, regalado, ....

Sabemos como nos vemos sabemos como se poseé.....

SAbemos como es.....


Es solo..........

lo que es..

si es que se ve...

Monday, December 20, 2010

Balada triste de trompeta de Alex de la Iglesia



Dot. The World's smallest stop-motion character shot on a Nokia N8


Dot. The World's smallest stop-motion animation character shot on a Nokia N8 from doreymccall on Vimeo.

Professor Fletcher's invention of the CellScope, which is a Nokia device with a microscope attachment, was the inspiration for a teeny-tiny film created by Sumo Science at Aardman. It stars a 9mm girl called Dot as she struggles through a microscopic world. All the minuscule detail was shot using CellScope technology and a Nokia N8, with its 12 megapixel camera and Carl Zeiss optics.

The Illusionist be Sylvain Chomet


The Illusionist be Sylvain Chomet
http://www.youtube.com/watch?v=ZElAeVdDCDs

Thursday, December 16, 2010

10 BEST XLR8R PODCASTS 2010

This year's podcast section blew up like never before, and it's a testament to the power of the DJ, we suppose, who brings all the fanfare and flourishes of a hot night out to the banal locale of our desktop. Out of the 50+ mixes that premiered on our website over the year, the 10 below are not only the best executed, most unique, and wholly memorable (even controversial at times), but also the sets we personally keep returning to when in need of a solid DJ mix. Enjoy.


http://www.xlr8r.com/features/2010/12/check-out-xlr8rs-top-10-favorite

Wednesday, December 15, 2010

Umberto Eco: "Vivimos rodeados de falsificaciones"


Umberto Eco está resfriado pero en forma. En la presentación de su nueva novela en Madrid, El cementerio de Praga (Lumen), ironizó a cuenta del rechazo que la obra ha causado entre la jerarquía católica: "Las críticas de L'Osservatore Romano [periódico del Vaticano] han aumentado las ventas en 100.000 ejemplares". El antisemitismo del protagonista, Simone Simonini, el único personaje de ficción de la obra, también disgustó a los judíos, aunque finalmente tres comunidades hebreas han invitado a Eco a presentar el libro en Jerusalén. "Son muy inteligentes", dijo.
        Umberto Eco

        Umberto Eco

        A FONDO

        Nacimiento:
        05-01-1932
        Lugar:
        Alessandria - Turín

      La noticia en otros webs

      La novela de Eco llega 30 años después de El nombre de la rosa, que le convirtió en un superventas a pesar de sus latinajos y sus honduras filosóficas. Constató que lo bueno vende. El cementerio de Praga va por la misma senda. En un mes se han vendido en Italia 600.000 libros. "No lo entiendo, a lo mejor se han vuelto todos locos", bromeó. "Es posible que lo estén porque votan todos a Berlusconi", añadió entre risas.
      Ambientada en el siglo XIX, El cementerio de Praga está repleta de personajes históricos como Dreyfuss, Freud o Garibaldi. Pero su gran protagonista, Simonini, es fruto de la imaginación del autor. Se dedica a falsear documentos y otras lindezas como el comercio de hostias consagradas para misas satánicas. Un argumento que no está del todo lejos de la actualidad, como recordó el propio Eco, a propósito de los cables del Departamento de Estado filtrados en las últimas semanas. "Vivimos rodeados de falsificaciones de los servicios secretos y los Gobiernos".
      Wikileaks. "Hasta ayer el poder controlaba y sabía lo que hacían los ciudadanos. Con Wikileaks se subvierte la relación, somos todos los que controlamos el poder mundial, es la transparencia total pero el poder también necesita confidencialidad. ¿Qué sucederá ahora? No sabemos".
      Recortes a la cultura. "El ministro de Finanzas dice que con la cultura no se come. Es falso. Que vaya al Louvre. Hay un sector de la derecha en mi país que odia la cultura. En el Gobierno hay gente inculta y racista. Está surgiendo un populismo en el que el Parlamento pierde sus funciones y una sola persona tiene todo el control mediático".
      Religiones. "Las religiones han sido un estímulo muchas veces. Sin ella no habríamos tenido a Miguel Ángel o Rafael, pero el fanatismo reprime la creatividad"..

      Monday, December 13, 2010

      Fader x FANIA!!!!


      As previously announced, The FADER is embarking on a yearlong remix project with the legendary Latin label Fania, wherein we enlist some of our favorite musicians to reinterpret classics from their celebrated catalog. Today, we’re thrilled to premiere the first in the series, for which Monterrey-based DJ/producer Toy Selectah has envisioned Willie Colón’s haunting salsa classic “Aguanile” as a portal to the future of the sacred 6/8 rhythm. Voiced by hallowed singer Hector Lavoe, the song feels like a stepladder from the ancient rhythmic past to the very immediate present, manifested in the new Mexican style called tribal guarachero. Read our interview with Toy about his interpretation of this song in the following pages, and read more about him in our tribal guarachero story in our latest issue. You can buy this remix offFania’s site, purchase it on vinyl EP in the coming months, or grab the whole 12-song series on vinyl and CD at the end of the year.




      story 
      Julianne Escobedo Shepherd

      For the second installment of our yearlong remix collaboration with Fania, the classic Latin label, we enlisted the awesome London-via-Medellin producer/DJ/vocalist Isa GT, whose unending wellspring of energy is second only to her deftness with a synth rack and a dancefloor, often jolting traditional Colombian and afro-caribbean styles with neon electro zap, a 21st Century party-people take on the populist jams of Latin America. And as a founding member of London’s Girlcore Collective, Isa has supported the work of enterprising women, put together notoriously off-the-chain parties and toured the world, with her latest release being the Pa’Kichirri EP on Man Recordings. For this project, Isa remixed Ismael Rivera’s black pride anthem “Las Caras Lindas” into a minimal-maximal masterpiece, injecting a tiny but electrified synth melody and club-uniting handclaps under his powerful vocals. Listen to the track and read our interview with Isa after the jump, then head over to Beatport to purchase the MP3. Stay tuned for more awesome remixes from Fania x The FADER!




      For the third installment of The FADER’s remix project with the legendary Latin label Fania––in which we enlist some of our favorite musicians to reinterpret classics from their celebrated catalog––Brooklyn’s scuffed beauties Twin Shadow plucked a flagship track by Bronx salsa trailblazer Ray Barretto for a full-bore Chicago house seance. One of the best things about this remix is that Twin Shadow’s leader, George Lewis, Jr., is not explicitly a classic dance music producer––even with his mastery of machine beats, his amazing debut album’s more about black nubuck, bedroom-isolated new wave guitars and secret emotions plumbed from the diaphragm. But he knew Barretto was a drummer who stayed posted behind the congas, so Lewis beelined for the piano parts, punctuating “Acid”’s intense syncopation with psyched trumpets and ghost vocals. Unexpected remix but in retrospect it totally makes sense, since dude’s a medium with drum machines. It’s Midwest-to-borough utopia as dictated by maybe 1989. Also, prescient of this exact moment. Read our interview with Lewis about his remix after the jump, and grab it off Fania’s site.





      Monday, December 6, 2010

      Dreams Deferred at Chinese American Museum in Los Angeles


      dreamART_eribertoOriol

      The Chinese American Museum and El Pueblo de Los Angeles Historical Monument have teamed together to present Dreams Deferred : Artists Respond to Immigration Reform opening this Thursday night, December 9th, in Los Angeles with a special opening reception. Artist in Dreams Deferred include Shepard Fairey, Kofie, Slick, Patrick Martinez, Eriberto Oriol (above), Swank, SharkToof, Eyeone, Ernesto Yerena, and others.

      The show runs through May 22, 2011, but one should check it out this weekend. 

      We want the message to be as clear as possible, so read the press below:

      This exhibition will showcase local artists exploring the tensions, repercussions, hopes, and dreams of immigrant communities in the face of new immigration legislation, through a broad spectrum of art including street art, graffiti art, sculptures, painting and multimedia installations.

      U.S. immigration laws have long reflected a lasting legacy of racial exclusion starting with the 1882 Chinese Exclusion Act, the first legislation to restrict immigration based on race and ethnicity. This legacy of immigration legislation targeting immigrant communities has since reemerged in the recent decades with California's Proposition 187,and Arizona's Senate Bill 1070, as attempts at inhibiting the livelihoods of undocumented immigrants.
       
      Dreams Deferred continues the current national dialogue about immigration, kicked-off by the recent opening of CAM's Remembering Angel Island, an exhibition commemorating the 100th year anniversary of the opening of the West Coast's first immigration station. Both exhibitions will serve to shed light on the parallels of past and current immigration policies and reform, and how Los Angeles' diverse immigrant communities collectively share not only their immigrant histories, but also many of the challenges facing new immigrant communities today.

      Shepard Fairey & Ernesto Yerena:

      dreamArt_ErnestoYerena_ShepardFairey

      EyeOne: 

      dreamArt_eyeone

      dreamArt_eyeone2

      Kofie One: 

      dreamArt_Kofie

      dreamArt_Kofie2

      LeHumanBeing: 

      dreamArt_LeHumanBeing2

      Patrick Martinez: 

      dreamArt_Martinez

      dreamART_MartinezHAT

      Shark Toof: 

      dreamArt_SharkToof

      Swank One: 

      dreamArt_swankOne

      The Chinese American Museum and El Pueblo de Los Angeles Historical Monument present
      Dreams Deferred : Artists Respond to Immigration Reform
      December 10, 2010 - May 22, 2011
      Opening Reception:
      December 9, 2010
      6-8:30 PM
      Free to the public

      Thursday, December 2, 2010

      "A Tribe Called Quest"

      The film, "Beats, Rhymes & amp; Life,”
      was directed by actor Mike Rappaport,
      and I don't know anything about release dates,
      but this will be interesting.


      Sunday, November 21, 2010

      ¡Radio Universidad presenta Calle 13 edición especial! ¡EN VIVO!






      Cadena Radio Universidad de Puerto Rico y  
      Cantar América, edición En Vivo, 
      te invitan a ser parte de una gran 
      fiesta de música puertorriqueña 
      y latinoamericana.

      Friday, November 19, 2010

      Muestra de Cine europeo de Segovia



      La Muestra de Cine Europeo Ciudad de Segovia (MUCES) 
      es un certamen cinematográfico de carácter anual que
      posibilita al gran público el conocimiento del cine europeo de calidad.

      Chico & Rita

      Thursday, November 18, 2010

      Giles Walker and his robots.


      “I spent the last year recording the stories of London’s homeless...and programmed these voices into an animated homeless figure I built. As I watch him in action on the streets, its not hard to miss the irony .....people will stop and listen to a homeless ‘robot’ but few give the same time to the real thing.....”

      http://www.gileswalker.org/gileswalker.org/OUTSIDE_THE_BOX.html

      http://www.gileswalker.org

      Wednesday, November 17, 2010

      "Claro que es hazy"


                                    
      "Los boricuas, comparados a otros grupos latinos de NYC, son los que más sufren". Foto por Ed Morales.


      Esta es una meditación sobre como nos ven y como, de algún modo, estamos.
      Two recent headlines from two very different newspapers caught my attention recently, y, como casi nunca salimos en titulares por acá (outside of the usual sports, narcotrafficking, or birth certificate stories) no pude resistir contemplarlas.
      When The New York Times, the nation’s preeminent “liberal” news organ, runs a story with the headline “Report Shows Plight of Puerto Rican Youth,” nuestra comunidad nuyorriqueña tiene varias opciones sobre cómo reaccionar. First, there’s the shock of recognition (“They’re talking about us!), then almost como una nostalgia (Isn’t this why they started the Young Lords, anyway?), and finally, a kind of angry resignation.
      The shocking, stark picture painted is not necessarily negative for Latinos, la minoría más grande de los estados unidos, it’s a scary revelation about el fenómeno Boricua. Comparado a otros grupos Latinos en la ciudad más chévere del mundo, somos los que más sufren:
      Roughly 17 percent of young Puerto Rican men were not in school, employed or looking for work, compared with 9 percent of Dominicans and 8 percent of Mexicans. Of those Latinos born in the United States, only 55 percent of Puerto Rican youth were enrolled in school, compared with 68 percent of Dominicans and 67 percent of Mexicans. Regardless of birthplace, about 33 percent of Puerto Rican families lived below the poverty line, compared with 29 percent of Dominicans and 27 percent of Mexicans.
      En este momento estoy enseñando una clase en Hunter College, parte de la universidad de la ciudad de Nueva York, sobre estudios puertorriqueños. Y  puedo decir que casi 50% de los estudiantes no son puertorriqueños. Son ecuatorianos, afro-americanos, jamaiquinos, colombianos, irlandeses, judíos, chinos, y por supuesto, dominicanos. So week after week I introduce them to El Grito de Lares, La carreta, Manos a la obra, Down These Mean Streets…I even show them “La Operación,” with its salsa commercials about la píldora and its grisly scenes of tubal mutilation, and they gasp and are amazed by todo lo que ha soportado el pueblo puertorriqueño, y allí se queda. En los textos, y los museos, como esta obra de Antonio Martorell sobre La Guagua Aérea en El Museo del Barrio:
      Pieza "From here to there" de Antonio Martorell. Foto por Chester Higgins, Jr./New York Times
      En El Barrio, y siguen empujándonos hacia el Norte para el Bronx y beyond, esta realidad del tiempo suspendido se queda en nuestros huesos, the Boricua body bearing the permanent state of poverty made so famous by the Daniel Moynihan apologists for the failure of industrial capitalism. Lo claro es que the concentration of capital and the subsequent hegemony of the financial sector has its flip side, and it is us.
      I wondered why The New York Times focused on the plight of Nuyoricans when there were so many angles one could take on this report, which has the hopeful, “pa’lante”-ish splash-text, almost like an advertising teaser: “NEW YORK CITY’S FUTURE LOOKS LATINO.” (The actual title is “Latino Youth in New York City: School, Work, and Income Trends for New York’s Largest Group of Young People.”) El futuro es tan brillante que nos tenemos que poner los lentes oscuros.
      Perhaps the old-school liberals at the Times had a bout of nostalgia as well for the good old days, when men were men, Puerto Ricans were poor, and there was revolution in the air. This ancient history doesn’t seem to be relevant for other Latino groups, who have an “entrepreneurial motivation” that Boricuas “may not have anymore,” because, as Angelo Falcón says, “they’ve been, ironically, Americanized.”
      While Falcón is referring to a multi-layered Americanization process, i.e., identifying with the African-American struggle, an unwillingness to work for less than minimum wage, a growing cynicism about the “American dream,” there is another kind of Americanization evident in an article that appeared recently in The Washington Times, a Rupert Murdoch-owned vessel for right-wing conservative free marketeers.
      Puerto Rico’s Hazy Identity” is yet another refashioning of a classic Americanizing narrative about Puerto Rico. Taking its cue from comedian Larry David’s comment, “What Is Puerto Rico, anyway?” the article speaks in a language Americans outside of the liberal elite feel comfortable with. The most obvious answer to the question is, of course, “it’s a colony.” But in the language of the middle American, it’s “technically a Commonwealth.” Even more sinister, it is a place that Apple snubbed by refusing to send free cases to rectify problems with the release of IPhone 4. In a nutshell, esto es Puerto Rico:
      Puerto Rico has been under U.S. jurisdiction since 1898, and its people have been citizens since 1917. The island is home to 150,000 military veterans, and three-quarters of its National Guard troops have been deployed overseas since the Sept. 11 attacks. The island shuts down and shoots off fireworks on the Fourth of July.
      Yet Puerto Ricans can’t vote for president, and their representative in Congress can’t vote, either. They pay Social Security and Medicare payroll taxes but not federal income tax. (They pay Puerto Rican income tax instead, so it’s no paradise.) Associated Press considers its reporters in Puerto Rico foreign correspondents.
      How quirky. Que situación tan interesante. De repente, llegaron los americanos. Se quedó así. No pagan esto y sí pagan esto.Celebran el 4 de julio. ¿Qué carajo es este sitio?
      “You got your fast food and your Costco. It’s neither here nor there.”
      Face it, ‘mano. It’s hazy.
      Hazy como el hecho que la victoria Republicana el martes va a poner en peligro las reformas de salud de Obama, bien significativa para Fortuño, y también en peligro el proyecto del plebiscito, bien importante para Fortuño.
      So what is really important for El Gobernador? Probably making sure that Marco Rubio got elected. That much seems clear.
      Articulo tomado de: http://www.80grados.net/2010/11/claro-que-es-hazy/

      Monday, November 15, 2010

      La libertad de Jimi

      Hear my freedom. Escucha mi libertad. Es el título de esta canción inédita de Jimi Hendrix que desde hoy y hasta las 12 del próximo 15 de noviembre podrá descargarse en exclusiva en elpais.com. Un tema grabado el 21 de octubre de 1968 en los TTG Studios de Hollywood. Cinco minutos y medio de experiencia Hendrix que arrancan con una intro de guitarra marca de la casa.

      Sunday, November 14, 2010

      Last minutes with Oden





      Para Jason Wood, su perro ODEN, 
      más que ser su mascota, 
      fue aquel que le enseñó amar. 

      Friday, November 12, 2010

      Dran

      Artists like Dran don’t come along very often -
       someone who combines charm, 
      insight and humour. 
      And who can actually draw.
      http://www.juxtapoz.com

      Tuesday, November 9, 2010

      Día Flamenco

      Isabel del Día is back after a three month intensive hiatus in Spain!!!

      Every Thursday at Esperanto 9th st and Ave C.

      Natty81F

      Peruvian born artist Natalia Fierro is out and ready to roar. After a long time over due and with no more than expected to be a success the Miami raised peruvian bad ass comes down with her cubist realistic like illustrations in her 2nd book Natalia Fierro. With a natural talent for an eye on her surroundings Natalia gives us a little drama with her sad lovely eyed characters making us wish to ever have been portrayed so delicate and solemn. This year exhibiting in Art Basel 2010 with a selected group of talented artist and two great books under her belt, Fierro will definitely claim her title as an artist.

      http://www.nataliafierro.com
      http://www.blurb.com/books/1705670
      http://www.blurb.com/books/1668577

      Friday, September 3, 2010

      Complot

      Complot no es un colectivo de artistas unidos
      bajo una misma forma de pensar la escena,
      ni siquiera persiguen los mismos objetivos.